I will say that Ben Fritz can be overly dismissive of things he doesnt like (Adam Sandler films did well on dvd because of fraternity brothers and stoners, a pretty dismissive view of the Chinese, and constantly reminding us that one of the big Netflix guys started as a college dropout managing a video store). The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era.Ĭontent of the book is very good and informative. He shows us, for instance, how Marvel replaced stars with “universes”, and how Disney remade itself in Apple’s image and reaped enormous profits.īut despite the destruction of the studios’ traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, Imax, and others to discover how they have reinvented the business. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China.īen Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. ![]() Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. ![]() In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film
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